Showing posts with label weather. Show all posts
Showing posts with label weather. Show all posts

Friday, 13 April 2018

Critical contextualization of my work - inspiration talk - part 2.2 - foreign artists far from home

Speaking of inspiration, it does not end with local artists. One of the photographers I look up to is based at the other end of Europe. 

His name is Frank Leinz and he is also an avid landscape and travel photographer. I came across his works by pure chance, someone from my Facebook friend list had shared an image of his and I immediately became a fan. Truth be told, I often use Facebook to scout for amazing photographs and use groups as both a means to promote my work AND a way to learn. 

Frank is a also a travel photographer BUT unlike Krasi Matarov he is not a fan of camping at the place for days to get the perfect shot. I love his ability to create dream-like scenes, regardless of the weather conditions, season or location:

Fig 1 –  Leinz, Frank – Mystery Castle,  2016
Leinz was obviously lucky with the mist and the drama in the clouds but apart from that, there is something subtle in the image. It is still a very popular location, Burg Eltz castle in Germany but it doesn't scream out loud "I am a commercial" or "I am a cliché" and I try to incorporate this into my approach, too. This is a very popular 'photographic' place but as you can see from the pic, there is no one in the frame. No humans, not even a silhouette. 

We have that trait in common as we both tend to leave people out of the frame. I have had this habit  ever since 2010 - it all started with a excursion to Italy during Easter when more than 10 million people had the same thing in mind. To avoid having crowds in my shots, I had to devise a way to avoid having people in the frame (wasn't that at image editing good to clone them out). Ever since, I always try to keep the 'human population' in an image to the minimum. 

One of the reasons I came up with is that some scenes look better without a living soul around to give you the impression that you are the only one seeing this now, as if you are in the image itself. Another reason is that to me, images with lots of tourists in them may have some documentary value BUT they look rather like the snapshots most tourists come home with than the images I aim at. 

Fig2 –  Leinz, Frank – Beangil Sea Cave,  2016
The image above is taken at a very popular beach in Portugal, favourite to all visitors but still, Leinz made sure that no one is 'blocking' the view and if you see the place, you are the only human being in the frame (if we count out the photographer that created it). 

Ever since I applied for Falmouth, I've tried to experiment with putting a human element into the frame to get more 'artsy' images and I started questioning this habit. 

This image is one of my attempts to put people in the frame (which would normally be left without them) to get more impact:

To me, this image really works - because the place, Rila monastery in Bulgaria, is also very famous all over the Balkans. I have visited multiple times and I've tried to keep people out of the frame. The last time I went there, in December 2017, I added this image of the person getting out of the monastery. My initial idea was to keep him as a silhouette. One of my motivations was that I haven't seen anyone do something like this and I was looking for unique angles.

Another thing I admire about Frank Leinz' work is the use of long exposure in some images, such as this one:

Fig 3. Leinz, Frank - Pure, 2016

It is a classic landscape technique, especially effective in scenes when there is some water and kind of a cliche but I keep adoring the dreamy impact it has, maybe because the human eye cannot catch that slow motion. 

Another reason I fall for images like this is that I lack the patience (and the opportunity/ logistics) to create something like this. I would really like to try it but I rarely have the time to wait that long at a location (and I suspect I lack in equipment, too). 

Still, I will try to make an effort and see if the technique would work for me. 


References: 
  • Frank Leinz’s Facebook page

Available at:
https://www.facebook.com/fldesign.info
[accessed 13 April  2018]

List of figures:

Figure 1 – LEINZ, Frank – Mystery Castle,  2016
Available at:
https://www.facebook.com/fldesign.info/photos/a.502329203234609.1073741828.502320593235470/892397237561135/?type=3&theater 
[accessed 13 April  2018]
Figure 2 – LEINZ, Frank – Beangil Sea Cave,  2016
Available at:
https://www.facebook.com/fldesign.info/photos/a.502329203234609.1073741828.502320593235470/857367027730823/?type=3&theater 
[accessed 13 April  2018]
Figure 3 - Leinz, Frank - Pure, 2016
Available at:
https://www.facebook.com/fldesign.info/photos/a.502329203234609.1073741828.502320593235470/810809369053256/?type=3&theater
[accessed 13 April  2018]

Friday, 8 December 2017

Project development - Thinking quick or what happens when weather and web hosting sites are against you

In the previous post I talked about how glad I was to find a whole database with information, addresses and pictures of abandoned houses around Sofia. I even wrote to the page - fading Sofia
 - for collaboration and waited for a response. 

At that point I thought I had done my homework BUT no, nothing like this. 

Imagine my surprise when I searched for it yesterday (Thursday was planned for house-hunting) and saw this message: 


I was absolutely puzzled and worried - after all, I counted on this website to finish my work in progress portfolio - and I have no exact notion of all houses I could possibly visit. So I decided to check out more about the project and it turned out it is more than sever years old (started around 2010) so it is quite possible they didn't pay the hosting fee so they may not be live again within the next few weeks, or at all. So far for the easy way.

Worse still, due to awful weather last week (blizzard and heavy snowfall and then temperatures around -8 Celsius) the only thing I had done were these:
Eagles' bridge - one of the most famous crossroads in Sofia. I pass through it several times a day so this was one of the first images I took (with the smallest compact camera I just had in me)

This image looks very Soviet (or post-Soviet dystopian) to me. This is the monument of the Soviet army in Sofia (unique architecture and quite the controversial history). This boy just passed by and the shot works for me. The scene may be anywhere in the post-totalitarian Eastern Europe (unless, of course you know the place). 

St. Alexander Nevski church - the biggest, most famous and most visited church in Sofia (literally one of the emblems of the city) and this is its main entrance. What you can see in the image is not rain, these are snowflakes.
They may be good in a sense BUT they had nothing to do with the set topic for my work in progress portfolio this module - abandoned buildings. What made matters even worse was the fact that I couldn't roam around the city, looking for something I have no clear coordinates for in the blizzard (which didn't stop for two days - these images are taken on day 1 when it was just warming up). So I had to wait. I am posting the unedited versions of the pics here :) 

So, this week I had to make things work and find at least one house to photograph - fortunately, due to helpful neighbours (and to the subtle yet important fact that Eastern Europeans are highly suspicious to anyone wandering around their neighbourhood) - found three houses - all built within 500 meters from each other, practically on the same land plot. 

One of the neighbours told me that most of them are still in use and, despite the decrepit looks are not abandoned. To my shocked face he reacted with the explanation that the municipality forbade any repair works on houses smaller than 50 (or 70, I am not sure) square meters. For the sole reason that this way these will sooner or later fall down and make way for blocks of flats. Who cares about cultural heritage?!

More information on that in a follow-up post (when I edit the images) :)

Guardian of the past

Or what happens when you decide to edit an archive shot with the idea of showing that you are a better editor than your pervious...